do you promise not to tell

I stopped looking at the catalogs that come into our home. Victoria's Secret was usually a favorite of mine. Billy Collins wrote a wonderful poem titlled Victoria's Secret. Please take a few minutes to read it. I often wonder if the cost of sending out that gloss is worth it for the advertisers. It must be, because I'm sure we pay for it in the long run. I don't ever remember seeing anything delivered to this house from Victoria's Secret although I do remember plucking out some secret undies from the clothes dryer. I've never purchased anything for my wife or daughters from that store. I'm pretty good at buying gifts and I have a knack for remembering sizes and personal preferences, but I pass on the personal stuff, except for pantyhose in a pinch. Some of you may know the pinch I'm talking about...2 hours before the wedding and not a usuable pair of pantyhose in the house.  Send dad. I don't get embarrassed buying feminie napkins either. ( do they still refer to them as that)  When I was a child no man even knew that women bled.  A lot of things back then were secret. Not so today, everything is out in the open. The mystique is gone.  Personally I like secrets. I like being ignorant too. There are some things I don't care to know. Some of the stuff that I casually find out seems to be an intrusion into my private life. It makes me feel encumbered. Maybe there really is some bliss behind not knowing. That's probably why the young woman on the left hand side of page 54 of Victoria's catalog is the most enticing. She's slinky and well scrubbed and fully clothed. And oops, I'm revealing too much already.


"Victoria's Secret"  by Billy Collins

The one in the upper-left-hand corner
is giving me a look
that says I know you are here
and I have nothing better to do
for the remainder of human time
than return your persistent but engaging stare.
She is wearing a deeply scalloped
flame-stitch halter top
with padded push-up styling
and easy side-zip tap pants.

The one on the facing page, however,
who looks at me over her bare shoulder,
cannot hide the shadow of annoyance in her brow.
You have interrupted me,
she seems to be saying,
with your coughing and your loud music.
Now please leave me alone;
let me finish whatever it was I was doing
in my organza-trimmed
whisperweight camisole with
keyhole closure and point d'esprit mesh back.

I wet my thumb and flip the page.
Here, the one who happens to be reclining
in a satin and lace merry widow
with an inset lace-up front,
decorated underwire cups and bodice
with lace ruffles along the bottom
and hook-and-eye closure in the back,
is wearing a slightly contorted expression,
her head thrust back, mouth partially open,
a confusing mixture of pain and surprise
as if she had stepped on a tack
just as I was breaking down
her bedroom door with my shoulder.

Nor does the one directly beneath her
looking particularly happy to see me.
She is arching one eyebrow slightly
as if to say, so what if I am wearing nothing
but this stretch panne velvet bodysuit
with a low sweetheart neckline
featuring molded cups and adjustable straps.
Do you have a problem with that?!

The one on the far right is easier to take,
her eyes half-closed
as if she were listening to a medley
of lullabies playing faintly on a music box.
Soon she will drop off to sleep,
her head nestled in the soft crook of her arm,
and later she will wake up in her
Spandex slip dress with the high side slit,
deep scoop neckline, elastic shirring,
and concealed back zip and vent.

But opposite her,
stretched out catlike on a couch
in the warm glow of a paneled library,
is one who wears a distinctly challenging expression,
her face tipped up, exposing
her long neck, her perfectly flared nostrils.
Go ahead, her expression tells me,
take off my satin charmeuse gown
with a sheer, jacquard bodice
decorated with a touch of shimmering Lurex.
Go ahead, fling it into the fireplace.
What do I care, her eyes say, we're all going to hell anyway.

I have other mail to open,
but I cannot help noticing her neighbor
whose eyes are downcast,
her head ever so demurely bowed to the side
as if she were the model who sat for Coreggio
when he painted "The Madonna of St. Jerome,"
only, it became so ungodly hot in Parma
that afternoon, she had to remove
the traditional blue robe
and pose there in his studio
in a beautifully shaped satin teddy
with an embossed V-front,
princess seaming to mold the bodice,
and puckered knit detail.

And occupying the whole facing page
is one who displays that expression
we have come to associate with photographic beauty.
Yes, she is pouting about something,
all lower lip and cheekbone.
Perhaps her ice cream has tumbled
out of its cone onto the parquet floor.
Perhaps she has been waiting all day
for a new sofa to be delivered,
waiting all day in stretch lace hipster
with lattice edging, satin frog closures,
velvet scrollwork, cuffed ankles,
flare silhouette, and knotted shoulder straps
available in black, champagne, almond,
cinnabar, plum, bronze, mocha,
peach, ivory, caramel, blush, butter, rose, and periwinkle.
It is, of course, impossible to say,
impossible to know what she is thinking,
why her mouth is the shape of petulance.

But this is already too much.
Who has the time to linger on these delicate
lures, these once unmentionable things?
Life is rushing by like a mad, swollen river.
One minute roses are opening in the garden
and the next, snow is flying past my window.
Plus the phone is ringing.
The dog is whining at the door.
Rain is beating on the roof.
And as always there is a list of things I have to do
before the night descends, black and silky,
and the dark hours begin to hurtle by,
before the little doors of the body swing shut
and I ride to sleep, my closed eyes
still burning from all the glossy lights of day.